Timed entry · AdultMost chosen
- Nave, Underground Chamber and sacristy
- Your 30-minute entry slot
- Concierge help in your language
Ages 27 and over
€24 per person
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Cappella Sansevero · Naples
Giuseppe Sanmartino carved Christ and his shroud from a single block of marble, down to the vein on the brow.
From €24
We book your half-hour on the museum's own system and email you the ticket.
Entry
Entries run every 30 minutes from 09:00 to 18:30, every day except Tuesday. Daily admissions are capped, and busy days sell out completely.
Ages 27 and over
€24 per person
Choose a timeAges 18 to 26
€18 per person
Choose a timeAges 10 to 17Added at checkout with a full-fare ticket
€14 per person
Add with an adultPrices are per person. Under-10s go free: after booking, email us how many are coming and we add them to your booking at no charge.
The collection
Giuseppe Sanmartino · 1753
The prince asked for a dead Christ under a transparent shroud carved from the same block as the body. The sculptor he first chose, Antonio Corradini, died in 1752, and the commission passed to a young Neapolitan, Giuseppe Sanmartino.
Sanmartino made the veil restless. It sinks into the eyes and the open mouth and lies so close over the hands and feet that the wounds read through it. For centuries people blamed alchemy. The prince's own payment order, for a statue covered with a veil of marble, says otherwise.
Look for: the swollen vein on the forehead, and the crown of thorns and pincers at the feet.
Francesco Queirolo · 1753–54
The prince dedicated this group to his father, who after a restless life came home to Naples and ended his days as a priest. A man pulls himself free of a net, helped by a winged genius with a flame on its brow. English guides call it Disillusion, or Release from Deception.
The net is cut entirely from marble, standing free of the body in places. The story goes that the craftsmen who usually polished statues refused to touch it in case it shattered, so Queirolo finished it himself with pumice.
Look for: the knots of the net where it lifts away from the shoulder, and the open Bible on the globe.
Giuseppe Salerno · 1750s
Down a narrow stair, in the room the prince meant as his family's funerary temple, stand two skeletons, a man and a woman, each wrapped in an almost complete network of arteries and veins. The Palermo doctor Giuseppe Salerno made them; the prince bought the first in 1756.
Naples once whispered that he had two servants killed to make them. The vessels are in fact a reconstruction in beeswax and colour, so precise that researchers still debate how it was done.
Look for: the finest vessels in the hands, and the fragment of the original labyrinth floor beside the cases.
Booking with us
We book your entry on the museum's own system, in your names. If the museum cancels your visit, you are refunded in full.
Write to us before you travel or on the day and a person replies, not a bot.
Card payment through Stripe, and the price on the page is the price your bank takes.
Booking and support in English, with checkout in your own currency.
Visitor guide
Everything about the visit, from the legend of the veil to the nearest metro stop, checked against the museum's own pages.
Questions
Eighteen answers, grouped by when you will need them: while booking, on the day, and once you are standing in the nave.
Something we have not covered? Write to [email protected]
Yes. Every visit is booked for a set date and half-hour, and the museum caps how many people it lets in each day. Busy days sell out completely, so book as soon as you know your date.
Entries are released 60 days before the visit date. The museum also releases a small number of extra entries two days before each date, which is worth knowing if your day shows as full.
Choose by age on the day of the visit: adult for 27 and over, the 18 to 26 fare, or the 10 to 17 fare. Children up to 9 are free and we add them to your booking at no charge.
Photo ID showing their age, such as a passport, national ID card or driving licence. The 18 to 26 and 10 to 17 fares are set by age, so a student card on its own is not what is checked.
No. The chapel prices each visitor by age and offers no family or group rate. Groups of ten or more book through the museum's own group channel; our fares are for individuals, couples and families.
No. The museum does not allow changes or refunds once a ticket is issued, and a ticket is only valid on its own date. Please check the date and half-hour carefully before you confirm.
We are an independent booking service, not the museum. You choose your date, half-hour and fares, we buy the official entry on the museum's own system in your names, and we email you the ticket. Our price includes the entry and our service.
If the museum cancels your visit, for example through an unplanned closure, you are refunded in full to the card you paid with.
Via Francesco De Sanctis 19/21, a narrow street off Piazza San Domenico Maggiore in the historic centre. With a ticket you go straight to the chapel door; the ticket office, temporarily at Via Raimondo di Sangro 12, is only for buying and for the toilets.
Your reservation stays valid for ten minutes after the time on the ticket. After that, entry is not guaranteed. Aim to arrive five or ten minutes early; the lanes around San Domenico Maggiore are slow going.
No. Photography, video and phone use are not allowed anywhere in the museum. It is a small, quiet room, and most visitors find the rule helps them look properly.
There is no time limit. The museum says visits run from a few minutes to over an hour. Forty minutes to an hour lets you see the three famous works, the vault and the Underground Chamber without hurrying.
The museum does not run guided tours itself. An optional audio guide of about 25 minutes, in Italian, English, Spanish, French or German, is rented at the museum, with a separate children's route for ages 6 to 12.
Partly. Wheelchair users can visit the whole nave, including the Veiled Christ, and the sacristy. The Underground Chamber with the Anatomical Machines is reached by a narrow spiral staircase and is not accessible.
Yes. The prince's payment order of 16 December 1752 refers to a statue covered with a veil of marble, and his letters say the shroud was cut from the same block. The story that he turned a real cloth to stone is a legend.
Corradini's Modesty, Queirolo's Disillusion with its marble net, the Glory of Heaven fresco on the vault, the Lamentation on the high altar, the prince's tomb, fragments of a labyrinth floor, and the Anatomical Machines downstairs.
The two skeletons are real. The network of blood vessels around them is a reconstruction in materials including beeswax and colourants, made by the Palermo doctor Giuseppe Salerno in the 1750s.
Normally no: Tuesday is the weekly closing day, and our booking calendar treats every Tuesday as closed. The museum opens on a few holiday Tuesdays; write to us if you need one of them.
Cappella Sansevero Tickets is an independent booking service. We are not the museum and do not represent it. You pay us for the entry plus our booking service; we buy the official ticket on your behalf, in your names, and send it to you.